![]() A good monitor controller and a decibel meter can help you here a lot.Ġ5 – Add a DSP solution to fine tune problems As a general rule for a small home/bedroom studio a volume of about 74 dB will work best. If you monitor too low you will not hear enough low end and the opposite when you monitor too high. There is a convenient online calculator available on their site that suggests the perfect ISO Stand for your monitors.ĭepending on your room’s size there is a certain volume that sounds best. We have seen a huge improvement in monitoring detail and clarity by just placing our monitors on ISO Stands. Our preference is any solution from IsoAcoustics. If you don’t, vibrations will affect a lot monitors’ performance. After that place and isolate your monitors the best possible. Try different positions for your monitors move them front to back, closer or further apart and hear what works best for your listening position. This is a step many people neglect but it is a very important one. Take some time, pick some reference tracks and visit a store that offers monitor listening facilities, have a listen and compare what suits your hearing. From there your decision depends on personal preference and budget. Also take into consideration how far away from the monitors you will be sitting. Big monitors will not function well in a small room and small monitors will not be enough for a big room. ![]() You have to choose the right size of monitors for your room. Last but not least a good carpet, some curtains on the windows and a selection of sturdy and heavy furniture can help a lot. Those are some starting points, most acoustic treatment companies will offer you expert consulting for your room before purchase. General rule is some absorption on the front wall, side walls and maybe the roof, bass traps on the corners and some diffusion on the back and/or the roof. Even top tier monitors will not function at their best in an untreated space. It is essential to install some treatment to your room to remove reflections and reverberations, tighten bass and keep a good frequency and phase response. SUB: Low frequency sine wave generator with key labelled frequency adjustment. SATURATE: Harmonic Distortion with 3 different drive types. PUNCH: A nice transient shaper which adds attack to the upper frequencies of your sounds. Just below are some finer features: Dry/Wet, HP/LP Filter, In/Out Levels, Tone Shaper, Oversampling, and a well thought-out Gain Match feature (why more plugin developers don’t add this simple yet extremely important feature still confuses us). The main section of the plugin consists of 5 character knobs: Punch, Saturate, Sub, Air, & Clip. KNOCK offers a simple and intuitive design great for a speedy workflow, keeping you zoned in on creativity and less on technicalities. Knock is an excellent tool to make your drums more impactful and forward in the mix. Upon our review of the plugin we believe he achieved his goal in essentially providing a Swiss Army Knife drum enhancer. According to DECAP the effect plugin was inspired by his sample pack DRUMS THAT KNOCK by combining every technique he uses to create hard hitting drums into a single plugin. ![]() Platinum producer and award winning sound designer DECAP introduces a brand new plugin KNOCK.
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